Defamiliarization in Photography

Defamiliarization in Photography

Defamiliarization in Photography – When people ask me what I examined in University, they’re usually surprised to listen to which i majored in British Books. One because I assume they be prepared to hear which i studied picture taking, or two because they’re simply shocked to hear an Asian actually made a decision to major in British instead of Science, Engineering, Business, etc. While I haven’t maintained too much from what British Lit. has educated me, one theory that i have been whispering in again my head lately is Defamiliarization. Essentially it’s an imaginative technique where the spectator perceives common and familiar things in a fresh or odd way. The word itself hails from the Russian ostranenie, which is often actually translated as “to make strange”. The idea is put on poetry above all else, making sense due to natural depth of interpretation and symbolism we find within relatively simply designed verses.

Although we may well not be poets, this is a practice which we must find attractive as photography enthusiasts. Most of us have put this into practice some way. For instance, think about dark-colored and white picture taking for another. Based on what you’re firing and trying to attain, color sometimes will serve as a distraction, yet color is exactly what most of us see frequently. Done correctly, acquiring a graphic in b/w allows us to view it in a totally different and peculiar new way. Macro, abstract, virtually any form of picture taking really can use to do this, it’s simply a subject of paying closer focus on the facts around you and realizing the wonder that’s already there. Your subject matter don’t always have to be grand or unique to be interesting, because defamiliarization isn’t designed for the novel.

[Do not forget to read: Tips For Taking Picture During Travel]

This might appear somewhat flowery and oversimplified, but I assume that every object constructed by real human kind has been imbued with some extent of artistry, each bearing the make of its creator’s perspective and imagination. All we have to do is see that it is there.

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